{"product_id":"issue-020-augustseptember-1999","title":"Issue 020 August\/September 1999","description":"\u003cp\u003e\u003cb\u003eThe Spy Who Shagged Me\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRarely has there been a movie sequel as eagerly anticipated as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAustin Powers II: The Spy Who Shagged Me\u003c\/i\u003e. With a bigger budget and greater audience expectations, this\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAustin Powers\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epromised to deliver a whole array of new characters. It brought back the familiar make-up characters if Dr. Evil and Austin himself, completely re-created for the sequel by Michele Burke, who also designed and created Mini-Me. In addition, this\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAustin Powers\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eintroduced another new character, the obese monstrosity, deemed Fat Bastard, also played by Meyers. For make-up department head Patty York, Fat Bastard suit supervisor Mike Smithson, and Burke with her make-up team, the familiar ring of, “oh, behave!” were welcomed words throughout the 1998-99 production.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA Field Trip to Tokyo\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the third article (see Issues 6 and 16) in a series focusing on the different make-up communities around the world. This time we head to Tokyo to see how make-up artists live and work in Japan. We found several notable differences, especially in the way wigs are made. Join\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMA\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eEditor-in-Chief Michael Key as he takes a tour through Japan’s make-up community.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWild Wild West: Does it Have a Leg to Stand On?\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis film does have it’s problems, being a period film that doesn’t adhere to the period and casting Will Smith as James West for starters, but it does have one leg to stand on – and that is production value. The art direction by Bo Welch is rich eye candy. The sets are really wonderful. There is some superb make-up and facial hair. Many talented make-up artists worked on this film including, Rick Baker, Ken Diaz, and Toni G. But\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWild Wild West\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ejust asks for too many leaps of faith from the audience. What a wild wild waste.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":54477563560220,"sku":"egd1787924045772","price":5.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0926\/7950\/4156\/files\/issue-020-augustseptember-1999_1.jpg?v=1787924052","url":"https:\/\/www.lanternandloom.shop\/products\/issue-020-augustseptember-1999","provider":"My Store","version":"1.0","type":"link"}