{"title":"Magazines","description":"\u003cp\u003eBrowse our Magazines collection. Free Shipping.\u003c\/p\u003e","products":[{"product_id":"issue-099-decemberjanuary-2012","title":"Issue 099 December\/January 2012","description":"\u003ch2\u003eProduct Description\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003eIMATS Sydney\u003c\/b\u003e: Pros, robots and shoppers make the scene.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNight Terrors\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGrimm\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emake-up team embraces new challenges in second season.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReturn to the Bates Motel\u003c\/b\u003e: Anthony Hopkins takes on the master of suspense in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHitchcock\u003c\/i\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Many Faces of ‘Cloud Atlas’\u003c\/b\u003e: Multiple characters require multiple looks.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eScenic Route\u003c\/b\u003e: Beauty artist Rachel Montgomery on her creative pilgrimage.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFashion Week Forecast Calls for Minimalism\u003c\/b\u003e: Muted looks rule the runways in New York.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eConfessions of a Creature Creator\u003c\/b\u003e: Constantine Sekeris enjoys making monsters for a living.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character 1","offer_id":54477560873244,"sku":"igy1787924042037","price":6.6,"currency_code":"USD","in_stock":true},{"title":"Character 2","offer_id":54477560906012,"sku":"ctc1787924042038","price":4.83,"currency_code":"USD","in_stock":true},{"title":"Beauty","offer_id":54477560938780,"sku":"ges1787924042039","price":2.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0926\/7950\/4156\/files\/issue-099-decemberjanuary-2012_1.jpg?v=1787924048"},{"product_id":"issue-013-junejuly-1998","title":"Issue 013 June\/July 1998","description":"\u003cp\u003e\u003cb\u003eDigital Design: Make-up’s Death or Future\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eWith the advancement of CGI there are a lot of people concerned that computers will take over the job of the make-up artist. That make-up artists will become obsolete. This is not the first time technology has caused concern over job security. In the early 1980s it became popular to use drum machines in recording studios. Yet we still have human drummers in the studio. It didn’t take long for people to find out that no one can program a drum machine better than a drummer. And likewise there is no one better suited to program and use computers for makeup than a make-up artist. In this article\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMA\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ediscusses the pros and cons of digital design and gives some general concepts for using digital design.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDouble Martini: Patricia Messina on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMurphy Brown\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSeinfeld\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIn Hollywood lingo, “the martini” is the last shot of the day. Patricia Messina has been juggling two of the biggest sitcoms in television history:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSienfeld\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMurphy Brown.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eIronically both have chosen to say so long this season. We went to the set of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSienfeld\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efor the last episode to talk with Patricia about her work. Yada, Yada, Yada.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eFrom the Earth to the Moon\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHBO’s ambitious 12-hour miniseries,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFrom the Earth to the Moon\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efocuses on the twelve Apollo missions in which manned spacecraft journeyed to the moon. The mini-series provided a forum for make-up department head Gina Lamendola and special make-up effects artist Gregg Cannom to showcase their talents. Many different kinds of make-ups were created for the show, including six age make-ups designed by Cannom for the principle characters, one of which was Tom Hanks. With its 12 distinctive but interconnected episodes, HBO’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFrom the Earth to the Moon,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecan be seen as a uniformly groundbreaking event, in that it features movie-quality production values in a TV mini-series.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":54477560971548,"sku":"msc1787924042269","price":2.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0926\/7950\/4156\/files\/issue-013-junejuly-1998_1.jpg?v=1787924048"},{"product_id":"issue-134-octobernovember-2018","title":"Issue 134 October\/November 2018","description":"\u003cp\u003eConnecting with one another is a vital part of being human. One way that we do this is through art. In our Make-up Around the World Issue we explore this deep connection. This is one of our favorite issues, because it is in the sharing of ideas and artistry that we inspire and provoke more creativity.\u003c\/p\u003e\n\u003cp\u003eIlise Harris joins us in this issue with a unique photoshoot about Connecting the Dots. Read all about this project based on the tribal markings used by African tribes and their prevalence in today’s make-up world. Our exposé on body painters around the world delves into the living canvas and the growing unity of these artists. Also, did you miss IMATS Toronto? That’s OK, we got you! Follow along, as we reminisce with all the highlights and extraordinary make-ups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eALSO:\u003c\/strong\u003e\u003cem\u003e BlacKkKlansman\u003c\/em\u003e is covered along with \u003cem\u003eGalveston\u003c\/em\u003e and \u003cem\u003eStan \u0026amp; Ollie\u003c\/em\u003e—movies that incorporate top notch make-up artistry. The TV show \u003cem\u003eThe Deuce\u003c\/em\u003e is examined, the Filipino fright film\u003cem\u003e Beast of the Yellow Night \u003c\/em\u003eis reviewed, the theatrical production of \u003cem\u003eMean Girls\u003c\/em\u003e earned its place as well, along with an article on the ancient and modern use of kohl. \u003cem\u003eCrazy Rich Asians\u003c\/em\u003e gets a beauty breakdown and Nicole Chilelli walks us through how to make cheap Halloween props look real and, well, not so cheap!\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Character","offer_id":54477563494684,"sku":"huc1787924044631","price":2.92,"currency_code":"USD","in_stock":true},{"title":"Beauty","offer_id":54477563527452,"sku":"yrq1787924044632","price":2.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0926\/7950\/4156\/files\/issue-134-octobernovember-2018_1.jpg?v=1787924051"},{"product_id":"issue-020-augustseptember-1999","title":"Issue 020 August\/September 1999","description":"\u003cp\u003e\u003cb\u003eThe Spy Who Shagged Me\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eRarely has there been a movie sequel as eagerly anticipated as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAustin Powers II: The Spy Who Shagged Me\u003c\/i\u003e. With a bigger budget and greater audience expectations, this\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAustin Powers\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epromised to deliver a whole array of new characters. It brought back the familiar make-up characters if Dr. Evil and Austin himself, completely re-created for the sequel by Michele Burke, who also designed and created Mini-Me. In addition, this\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAustin Powers\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eintroduced another new character, the obese monstrosity, deemed Fat Bastard, also played by Meyers. For make-up department head Patty York, Fat Bastard suit supervisor Mike Smithson, and Burke with her make-up team, the familiar ring of, “oh, behave!” were welcomed words throughout the 1998-99 production.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA Field Trip to Tokyo\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the third article (see Issues 6 and 16) in a series focusing on the different make-up communities around the world. This time we head to Tokyo to see how make-up artists live and work in Japan. We found several notable differences, especially in the way wigs are made. Join\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMA\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eEditor-in-Chief Michael Key as he takes a tour through Japan’s make-up community.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWild Wild West: Does it Have a Leg to Stand On?\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThis film does have it’s problems, being a period film that doesn’t adhere to the period and casting Will Smith as James West for starters, but it does have one leg to stand on – and that is production value. The art direction by Bo Welch is rich eye candy. The sets are really wonderful. There is some superb make-up and facial hair. Many talented make-up artists worked on this film including, Rick Baker, Ken Diaz, and Toni G. But\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWild Wild West\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ejust asks for too many leaps of faith from the audience. What a wild wild waste.\u003c\/p\u003e","brand":"Make-Up Artist Magazine","offers":[{"title":"Default Title","offer_id":54477563560220,"sku":"egd1787924045772","price":5.39,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0926\/7950\/4156\/files\/issue-020-augustseptember-1999_1.jpg?v=1787924052"}],"url":"https:\/\/www.lanternandloom.shop\/collections\/magazines.oembed","provider":"My Store","version":"1.0","type":"link"}